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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Tandberg Series 6000X reel-to-reel

The new tape recorder Series 6000X is designed for the world's most discriminating markets, and is in a class by itself when it comes to quality, precision and sound reproduction. Tandberg Series 6000X Stereo has a modern design. The operational devices are clearly arranged and in spite of its numerous technicalities the tape recorder is simple and easy to operate.

Series 6000X Stereo is a fully transistorized stereo recorder with 3 speeds: 7-1/2, 3-3/4 and 1-7/8 ips. It is intended for use together with separate hi-fi amplifiers and has therefore no built-in power amplifiers. There are separate heads for recording, playback and erase, plus a bias head. Two moving coil meters indicate recording levels. These instruments also indicate the output level at playback.

The recording is based upon the Tandberg Cross-Field technique, giving sensationally good specifications for frequency range and Signal-to-Noise Ratio. Inputs for dynamic microphone, line, radio, magnetic and ceramic pick-up. Limiter prevents excessive input signal levels during recording. Listening during fast wind and rewind if desired, makes it easy to locate a programme on the tape.

Professional tape recorder users will appraise the merits of Series 6000X Stereo. Mixing possibilities in stereo with separate input controls (2 for each channel), microphone with pick-up, line or radio. 4 input controls for mixing in mono. AB-test,  - that is you can listen to a programme during recording (monitoring). And you can also listen to the playback during recording. Possibilities for "Sound-on-Sound" copying of a programme from one track to the other, and mixing in a new programme synchronously with the first one. Possibilities for echo and other trick recordings.

Tandberg 6000X Stereo has one-lever control of tape drive, push-buttons for electrical functions and track selection, illuminated 4-digit revolution counter, automatic end-stop, pause=button and possibilities for remote control of start and stop.

Tandberg Series 6000X Stereo is available in 2- or4-track versions, in teak or rosewood cabinets.

 


Crossfield Technique

The technique employed by Tandberg introduces a separate bias head which thoroughly magnetizes and reduces the recording zone on the tape as well as wavelength dependability losses in the record function. In turn, the need for equalization in the record amplifier as well as distortion in the ultimate recording is reduced. Consequently, Signal-to-Noise Ratio, Dynamic Range and Record Frequency Response are all vastly improved. The fact that Tandberg designs and manufactures its own heads further crystallizes the ultimate potential of each Tandberg recorder into an optimum range. Therefore, it becomes evident why Tandberg's position as the world 's leading producer of tape recorders remains unmatched in the world today.

 


Specifications:

Tape:  7" max reel size. Low Noise tape should be used for recording

Tape Speeds:  7-1/2, 3-3/4 and 1-7/8 ips

Speed Tolerance:  ±1%

Playing Time (1,200 ft tape)

7-1/2 ips : 2 x 32 min. [stereo]; 4 x 32 min. [mono]

3-3/4 ips : 2 x 64 min. [stereo]; 4 x 64 min. [mono]

1-7/8 ips : 2 x 128 min. [stereo]; 4 x 128 min. [mono]

Playing Time (1,800 ft tape)

7-1/2 ips : 2 x 48 min. [stereo]; 4 x 48 min. [mono]

3-3/4 ips : 2 x 96 min. [stereo]; 4 x 96 min. [mono]

1-7/8 ips : 2 x 192 min. [stereo]; 4 x 192 min. [mono]

Fast Wind and Rewind

1,200 ft Tape :  approx. 1-3/4 min.

1,800 ft Tape :  approx. 2-1/2 min.

Heads:  1 x Erase; 1 x Record; 1 x Playback; 1 x separate Cross-Field bias Head

Erase and Bias:  85,5 kHz, distortion less than 0,5%

Inputs Sensitivity/Impedance

MIC :  70 µV/ 200 - 700 (Max. Input Level 70 mV)

Radio :  5 mV/100 k (Max. Input Level 15 V)

Line :  5 mV/100 K (Max. Input Level 15 V)

Pickup :  1 mV/33 K  (Max. Input Level 3V. With pick-up selector in position C; Impedance adapted for ceramic pick-up. Sensitivity 10 mV. Max. Input Level 30 V)

Limiter: Attack time below 5 ms. Release time approx. 1 s

Outputs Load/Impedance

Radio :  0,75 V/ 11 K  

Line :  160 mV/10 K

Outputs : 1,5 V/200  

Headphones :  1,5 V/ 200

Distortion: 

0,5% (From record amplifier at 0 dB recording level)

0,3% (From playback amplifier at 1,5 V output voltage)

3% :  (From tape at 0 dB recording level)

Frequency Response

7-1/2 ips : 40 - 20,000 Hz ±2 dB

3-3/4 ips : 50 - 16,000 Hz ±2 dB

1-7/8 ips :  50 - 9,000 Hz ±2 dB

Measured according to DIN 45511

7-1/2 ips : 40 - 22,000 Hz

3-3/4 ips : 40 - 18,000 Hz

1-7/8 ips :  40 - 10,000 Hz

Wow:  Measured in % according to DIN 45511

7-1/2 ips : better than 0,1%

3-3/4 ips : better than 0,2%

1-7/8 ips :  better than 0,4%

Signal/Hum :  ( Unweighted) peak value measured in % according to DIN 45511 at tape speed 7-1/2 ips and 5% tape distortion

54 dB (4-track)

54 dB (2-track)

Signal-to-Noise Ratio (peak value according to DIN 45511 at tape speed 7-1/2 ips and 5% tape distortion)

56 dB (4-track)

58 dB (2-track)

Signal/Tape Noise: (measured unweighted RMS)

58 dB (4-track)

58 dB (2-track)

Signal/Tape Noise: (measured according to A-curve RMS)

64 dB (4-track)

66 dB (2-track)

Crosstalk: (at 1,000 Hz according to DIN 45511)

Mono:  better than 60 dB

Stereo:  better than 50 dB

Power Requirements:  115/230/240 V, 50/60 Hz

Power Consumption:  45 W

Dimensions (W x H x D):  15-1/2" x 6-1/2" x 12-3/8"

Weight:  21 lbs